beholders.org

In honor of the people of Poland, who have suffered the loss of their president on a tragic airplane crash, we want to bring examples of the beauty created by some Polish minds. Below are a few beautiful poems written by some of Poland's most famous poets.

Pokój (Peace)

Song on the End of the World
by Czeslaw Milosz

On the day the world ends
A bee circles a clover,
A Fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it it should always be.

On the day the world ends
Women walk through fields under their umbrellas
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.

And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels' trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose
As long as rosy infants are born
No one believes it is happening now.

Only a white-haired old man, who would be a prophet,
Yet is not a prophet, for he's much too busy,
Repeats while he binds his tomatoes:
No other end of the world there will be,
No other end of the world there will be. 

Tortures
by Wislawa Szymborska

Nothing has changed.
The body is susceptible to pain,
it must eat and breathe air and sleep,
it has thin skin and blood right underneath,
an adequate stock of teeth and nails,
its bones are breakable, its joints are stretchable.
In tortures all this is taken into account. 

Nothing has changed.
The body shudders as it shuddered
before the founding of Rome and after,
in the twentieth century before and after Christ.
Tortures are as they were, it's just the earth that's grown smaller,
and whatever happens seems right on the other side of the wall. 

Nothing has changed. It's just that there are more people,
besides the old offenses new ones have appeared,
real, imaginary, temporary, and none,
but the howl with which the body responds to them,
was, is and ever will be a howl of innocence
according to the time-honored scale and tonality.

Nothing has changed. Maybe just the manners, ceremonies, dances.
Yet the movement of the hands in protecting the head is the same.
The body writhes, jerks and tries to pull away,
its legs give out, it falls, the knees fly up,
it turns blue, swells, salivates and bleeds. 

Nothing has changed. Except for the course of boundaries,
the line of forests, coasts, deserts and glaciers.
Amid these landscapes traipses the soul,
disappears, comes back, draws nearer, moves away,
alien to itself, elusive, at times certain, at others uncertain of its own existence,
while the body is and is and is
and has no place of its own.